For nearly three decades, Darcy Miro worked with metal, creating sculptural jewelry and architectural commissions that were explorations of texture and form. But in 2019, after visiting a ceramics studio in Fort Greene, Brooklyn, she found a material that changed everything. “Clay feels so good in your hands, and you don’t need technical skills to make something awesome,” she says. “It is soft and fluid and a kind material versus metal, which is difficult to work with.” Hers is a very interesting journey. Read about it here.
